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Heroes of the Fourth Turning

By Will Arbery

The Cherry Arts Center

Director: Carolyn Best and Achille Van Riche
Stage Manager: Yair Assayag
Scenic and Video Designer: Thomas Jenkeleit

Costume Design: MaCaleb Earle
Sound Design: Ariana Cardoza
Marketing/Photos: Jordan Hayakawa

Heroes of the Fourth Turning follows a group of college friends who are all in the same place once again after their old professor becomes the president of the college. The college they went to is Wyoming Catholic College which is a deeply conservative institution as are the characters of the play. Throughout this alcohol infused night this group of friends argue, cry, reminisce and most of all just talk about many, many topics. The topics are usually very serious and concern right wing talking points and religion but is contrasted by the ridiculousness of events like throwing up during a prayer and this unusual sound the keeps appearing throughout the play. Listening to these characters talk for about two and half hours allows the audience to really listen to a group of people that they may have never listened to before. For me it was the closest that I as a queer latina from New York City will ever be in a room with a group of conservative catholic white people who mostly despise the ideas that I stand for. Our production emphasized the hyper realistic world of the play to a point where it felt uncanny. The conversations are real and the world is just a little off putting.

The Generator

As mentioned above, there is a odd, loud sound that occurs three times throughout the play. The play is set in the front yard of Justin's house, who works at his alma mater. Justin always excuses this sound as his faulty generator. However, the sound is very obviously not a generator. In the text it is described as "Part machine, part animal." The generator becomes it's own character that abruptly intrudes into the character's discussions. It has a jump scare effect every time but comically is forgotten and ignored as just "a generator" and they go back to whatever they were talking about prior. Towards the end of the play Justin reveals that he doesn't know what that sound is and says that it just started happening. It haunts him.

My take on the sound of the generator uses real recordings and distorting them to a frightening but familiar sound. In addition mixing with a electronic and metallic sound. One of the main aspects is a field recording of a aboveground subway screeching and ringing out from the street, which I then slowed down, added reverb, and pitched. Another is the sound of baby crying which was pitched down to sound like a animal roaring. Additionally, part of our production was a opening sequence that previewed the generator sound during the first scene where Justin attempts to gut a deer he just shot, but for some reason he cant bring himself to do it. This scene jumps to the scene of the house party.

Opening Sequence

00:00 / 01:18

Generator 1

00:00 / 00:17

Generator 3

00:00 / 00:17
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